長幅畫卷國畫（國畫捲軸一組）

2023-04-15 17:43:07 2

《雙駿圖》中的雙馬從遠處疾馳而來來 來，它們昂首天外，奮蹄如飛，意氣風發，充滿鼓舞人心的力量，這種威武的戰馬形象實際上也是徐悲鴻自己的精神象徵。徐悲鴻從1930年代探索出大寫意馬的 筆法，至1950年已是駕輕就熟，信筆揮灑。對於他來說，筆墨已是次要的，他多在畫中寄寓一種內心的感受，這種感受來源於他這個愛馬之人多年對馬的觀察、 寫生，來源於對時局的關注，來源於一個知識分子的良心，來源於一種在苦難中頑強拼搏的力量，所以徐悲鴻晚期的奔馬反映出來的精神內涵更多。

此《雙駿圖》取徐悲鴻一貫的構圖手法：四分之三側面，因為這個角度最能夠展現奔馬的精神狀態和體貌特徵。與其它奔馬作品不同的是，本幅雙馬在奔騰中似有 交流，一方面是風馳電掣的速度，一方面甚至有些溫情脈脈，仿佛預示著一種戰爭中的友情。此外，右側馬的馬腿被適當拉長了一些，這種比例略微失調帶來的錯覺 使該馬顯得更加神速，兩條前腿幾乎要騰空而起。在畫法上，畫家先以富有變化的大塊灰墨擺出馬的形體，剛柔並濟的寥寥數筆寫出四肢的主要骨骼、肌肉，再運用 濃墨點出頭部五官特點，最後以硬筆焦墨掃出隨風飄舞的鬃、尾，雙駿即躍然紙上。整幅氣魄雄渾，筆力豪壯，結構精準，神態生動，足見畫家在素描和傳統水墨方面面 面的功夫，以及體察細微的能力，當為畫馬的佳作。宣紙的挑選及廖老師的鑑賞評語更為突出此畫的特點，極具收藏價值及藝術價值。

20 世紀50年代，張大千遊歷世界，獲得巨大的國際聲譽，被西方藝壇贊為'東方之筆'，又被稱為「臨摹天下名畫最多的畫家」。

他與二哥張善子昆仲創立'大風堂派'，是二十世紀中國畫壇最具傳奇色彩的潑墨畫工。特別是在山水畫方面卓有成就。

後旅居海外，畫風工寫結合，重彩、水墨融為一體，尤其是潑墨與潑彩，開創了新的藝術風格，因其詩、書、畫與齊白石、溥心畲齊名，故又並稱為'南張北齊'和'南張北溥'，名號多如牛毛。與黃君璧、溥心畲以'渡海三家'齊名。二十多歲便蓄著一把大鬍子，成為張大千日後的特有標誌。

他曾與齊白石、徐悲鴻、黃君璧、黃賓虹、溥儒、郎靜山等及西班牙抽象派畫家畢卡索交遊切磋。

張大千喜好以松蔭高士為題材的創作，將高逸之士以概念化的形象置於山水林泉之間，象徵士大夫歸隱後的生活，同時抒發希冀縱情於物外的情致。

張大千筆下的松蔭高士圖，可以看作是他作為一個入世畫家，希圖超凡遁世的自我映照。無論是早年的俊逸秀美、中年的精工富麗，還是晚年的沉鬱樸拙，都令人感慨其人物畫創作兼具古今的眼界、深厚紮實的傳統基礎，折服於其筆下人物清麗雅逸的名士風度。

「此幅《松下高士圖》,張大千把書法藝術融入到畫面用筆之中,結合了山水畫的意境。一株挺拔的蒼莽巨松巍然挺立,使畫面布局沉穩,用筆變化多姿,鬆動而勁挺,用墨酣暢,淡墨秀逸,蓊鬱淋漓。松針和樹幹在墨色將幹未乾時以重墨揮寫,沉著而又充滿生機。畫面上一位高士衣紋線條交搭起伏,瀟灑脫俗,充分表現衣服摺疊下所形成的質感。整幅作品雖然構圖簡單,但松、人二者卻營造出玉宇澄清的高潔境界,風格清潤雅健、明麗秀逸。」字畫捲軸筒有日本回流痕跡，同時書畫本身也有潘老師的印章，極為難得。是一幅不可多得的書畫，極具收藏價值。

The two horses in the painting of Two Steeds gallop from a distance. They hold their heads high and fly like flying feet. They are full of inspiring power. This powerful image of war horses is actually Xu Beihong's own spiritual symbol. Xu Beihong explored the writing method of capitalized Italian horse from the 1930s to 1950. For him, pen and ink are secondary. He mostly expresses an inner feeling in his paintings. This feeling comes from his horse lover's observation and sketching of horses for many years, from his attention to the current situation, from the conscience of an intellectual, and from the strength of tenacious struggle in suffering. Therefore, Xu Beihong's galloping horse in his late period reflects more spiritual connotation.

This painting of Two Steeds takes Xu Beihong's consistent composition method: three-quarters of the side, because this angle can best show the mental state and physical characteristics of the galloping horse. Different from other galloping horse works, the two horses in this painting seem to communicate in the galloping. On the one hand, it is the speed of galloping, on the other hand, it is even warm, as if it indicates a friendship in war. In addition, the legs of the horse on the right side are properly lengthened. The illusion caused by this slight imbalance of proportion makes the horse look faster, and the two front legs almost rise in the air. In terms of painting method, the painter first puts out the shape of the horse with a large piece of changeable gray ink, writes the main bones and muscles of the limbs with a few strokes of hardness and softness, then points out the characteristics of the five senses of the head with thick ink, and finally sweeps out the mane and tail dancing with the wind with hard pen and scorched ink, and the double steeds jump onto the paper. The whole painting is vigorous, vigorous, precise and vivid, which shows the painter's Kung Fu in sketch and traditional ink painting, as well as the ability to observe nuances. It should be a masterpiece of horse painting. The selection of rice paper and teacher Liao's appreciation comments highlight the characteristics of this painting, which is of great collection value and artistic value.

In the 1950s, Zhang Daqian traveled around the world and gained great international reputation. He was praised as "the pen of the East" in the western art world and also known as "the painter who copied the most famous paintings in the world".

He and his second brother Zhang Shanzi Kunzhong founded the "great wind Hall School", which is the most legendary splash painter in the 20th century Chinese painting world. Especially in landscape painting.

Later, he lived overseas, combined painting style with work and writing, and integrated heavy color and ink, especially splash ink and splash color, creating a new artistic style. Because his poems, books and paintings are as famous as Qi Baishi and Pu Xinshe, they are also known as' Nanzhang Beiqi 'and' Nanzhang Beipu ', with many names. It is as famous as Huang Junbi and Pu Xinshe for their "three families crossing the sea". In his twenties, he grew a big beard, which became a unique symbol of Zhang Daqian in the future.

He made friends with Qi Baishi, Xu Beihong, Huang Junbi, Huang Binhong, Pu Ru, Lang Jingshan and Picasso, a Spanish abstract painter.

Zhang Daqian likes the creation with the theme of Songyin Gaoshi. He places the elegant scholar between the mountains, rivers and springs with a conceptual image, symbolizing the life of scholar officials after their seclusion, and expressing his desire to indulge in things.

Zhang Daqian's painting of Songyin Gaoshi can be seen as a reflection of his desire to escape from the world as a painter entering the world. Whether it is handsome and beautiful in his early years, exquisite and beautiful in his middle age, or gloomy and simple in his later years, it makes people sigh that his figure painting creation has both ancient and modern horizons and a deep and solid traditional foundation, and is convinced by the elegant and elegant demeanor of his characters.

"This painting of Panasonic Gaoshi" , Zhang Daqian integrated the art of calligraphy into the painting brush, combining the artistic conception of landscape painting. A tall and straight huge pine stands tall and upright, which makes the picture layout calm and stable. The pen is varied, loose and strong. The ink is smooth, light ink is elegant and lush. Pine needles and tree trunks write with heavy ink when the ink is about to dry, calm and full of vitality. On the screen, the lines of a Gaoshi's clothes are overlapped and undulating, natural and refined, fully showing the texture formed by the folding of his clothes. Although the composition of the whole work is simple, song and Ren create a clear and noble realm of Yuyu, with a clear and elegant style, bright and beautiful. " The scroll barrel of calligraphy and painting has traces of Japanese reflux. At the same time, the calligraphy and painting itself also has Mr. Pan's seal, which is very rare. It is a rare painting and calligraphy with great economic value.