元代小件精品瓷器（精品推薦稀有古幣）

2023-07-31 03:52:02 2

中國古代錢幣之一。明神宗朱翊鈞萬曆四年（1576年）始鑄。仿造嘉靖錢制，有小平，折二兩種。萬曆通寶光背者較多見，少數小平錢背有「工」，「天」，「公」，「正」，「江」，「河」，「釐」等字，其中「釐」表示值銀一釐。萬曆通寶背「河」、「戶」者極少見；折二錢鑄量也多，製作精良，偶有背星月者，價格頗高。此外，還有銀質「萬曆通寶」錢。

藏品介紹

中文名稱：萬曆通寶祈福幣

英文名稱：Wanli Tongbao Blessing coin

類別：雜項

規格：1枚

品相：美品

背面金水十分明顯，部分脫落，錢幣使用痕跡明顯，金水為後期所鍍，此特徵為罕見的祈福幣，存世量稀有，具有極高的收藏價值。

祈福坑

2012年下半年開始，在北京右安門大街東側的一處施工現場(南二環右安門橋北側附件)漸漸出土了一些宋金錢幣。主要是大定，還有極少數的泰和，其主要特徵是通體金色，極美品質，撥開淤泥從金色脫落的地方看，有薄薄一層金色包漿附著在錢體上，層次分明且輕輕一撥「金片」還能成塊的剝離，因此當時有人推斷，這很有可能一批刷過金的錢幣。由於那附近曾是金代聖安寺遺址，所以也有人推斷這些錢幣可能是當時富貴人家的祈福用的，猜想金色包漿是古人塗在錢幣用於禮佛祈禱之用，於是便有了祈福錢的傳說。

此枚「萬曆通寶錢幣正面印刻著「萬曆通寶」四字，字跡清晰，蒼勁有力。觀其鑄體，鑄制規整，邊圓廓正，坦平地章，穿緣廓乾淨，優良鑄工，更顯字廓深竣挺拔，精整有加。品賞其錢文，可見萬曆通寶之特有字體端美亮眼，與反面一樣，表面有明顯的金水層，部分以脫落，古韻十足，十分耐賞！

元代發行的鑄有八思巴文錢幣。銅質，元代以紙幣為主，輔以一定量的銅幣，其中以八思巴銘文居多，忽必烈時期由僧人首領八思巴創製蒙古文字，即稱「八思巴文」。1269年忽必烈詔行新字於天下。八思巴文系由古藏文增損變形而成，有字母41個，屬於拼音文字。

藏品介紹

中文名稱：綠漆古八思巴文錢幣

英文名稱：Green painted antique spavin coin

類別：雜項

規格：1枚

品相：美品

錢幣正反面為綠漆古包漿：表面顏色如綠漆一樣的古代青銅器。多見於漢唐文物，多出土於江南。特點是顏色綠黑，有的器物周身不見鏽跡。掃描電鏡表面分析顯示的成分與*黑漆古無原則性差別，唯物質結構形態不同。是青銅器鍍錫表層在自然腐蝕條件下形成的。

正面為八思巴文，整體綠漆古包漿，古韻十足，說到錢幣的歷史，公認是由玉璧發展而來的，在沒有銅幣值錢就是用玉璧來做交易的，而古人認為天是圓的地是方的，所以製作了外圓內圓的玉璧用來禮天，這三枚錢幣外圓內方，象徵天地乾坤，既有歷史研究價值，也可以驅邪避惡，保平安。

南宋高宗建炎元年（公元1127年）鑄。「建炎通寶」有小平、折二、折三等銅、鐵錢，錢紋篆書、楷書成對，鑄造量較大，版別複雜，有大字、小字之分。「建炎重寶」不多見，為折三篆書，銅、鐵錢均有。「建炎元寶」鑄造量極少，錢文篆書、隸書成對，皆為古錢大珍。

藏品介紹

中文名稱：建炎通寶

英文名稱：Build phlogistic TongBao

類別：雜項

規格：1枚

品相：美品

錢幣外圓內方象徵天地乾坤，乾坤之間建炎通寶四字直讀，反面光背，字跡圓潤精美，歷經漫長歲月，字跡依然清晰可見，品相完美，具有極高的收藏價值。

背面光背，有局部的硃砂鏽，與正面的硃砂鏽相對應，錢鏽的一種。表面呈紫紅、褐紅色的氧化層,因色澤如硃砂(汞),俗稱「硃砂鏽」。有此鏽跡的錢幣為開門真品，歷來為藏友所喜愛。

這三枚錢幣包漿自然，底光柔和，所謂包漿是自然形成的氧化層，也有人為手盤包漿，兩者不同，但同時都有保護錢幣的功能，有如給錢幣鍍上一層保護膜，使錢幣不再氧化，便於收藏傳世，如果覺得錢幣髒，可以用清水洗，再用棉布擦乾，不要破壞包漿，破壞了包漿就相當於破壞了保護層，更重要的是包漿是鑑定新老錢幣最簡單有效的方法。細看這三枚錢幣品相完美，沒有磕缺，損毀，變形等是不可多的收藏級錢幣，由於存世量稀有，極為罕見，具有極高的收藏價值。

古人言：以銅為鏡，可正衣冠，用以端正自身言行；唐代詩人李賀也曾用詩「雙鸞開鏡似秋光，解鬟臨鏡立象床。」描繪女子對鏡梳妝的動人場景，銅鏡集觀賞價值和實用價值為一體，在唐代，銅鏡到達了其發展史上的第三個高峰，不僅樣式千變萬化，工藝也頻頻創新，頗受唐人喜愛。海獸葡萄紋便是這時期匠人巧思的成果，盛唐氣韻與西域文化的融合，神秘而華麗。今天我們便來會一會這異彩紛呈的「多謎之鏡」。

我國在遠古的時候，人們通過河流、水塘發現靜止的水可以照人，於是慢慢延伸到最早期用陶盆盛水作為鏡子照面梳妝打扮。銅器發明後，用銅盆盛水，鑑形照影。《說文·金部》釋「鑑」為「盆」，所以說盛水的盆（鑑），就是最早的鏡子。隨著冶煉技術的提高，人們發現光滑的銅面能照人，商周時期開始試製銅錫和銀鉛等合金技術製作銅鏡。

藏品介紹

中文名稱：漢代金文青銅鏡

英文名稱：Bronze mirror of The Han Dynasty

類別：雜項

規格：1面

品相：美品

漢代金文青銅鏡：這面銅鏡紅斑綠繡，為開門古銅鏡，銅鏡表面篆體金文，以四乳釘相隔，紋飾乾淨，線條清晰輪廓分明，古樸又不失典雅。

紅斑綠繡是來區別仿製青銅鏡最直接的辦法。鏡面凹陷處顯現紅斑，突出部位，出現極為明顯的銅綠，錯落自然，無人工作偽痕跡。

銅鏽俗稱銅綠，其主要成分為鹼式碳酸銅 化學式為Cu2(OH)2CO3。

它是銅與空氣中的氧氣、二氧化碳和水等物質反應產生的物質，顏色翠綠。

2Cu H2O O2 CO2=Cu2(OH)2CO3

家中放置青銅鏡瞬間古風典雅，而且銅鏡有闢邪鎮宅之效，不論是收藏還是觀賞都是不二首選，目前市場上仿製銅鏡較多，這面銅鏡紅斑綠繡，又具有包漿，可放心收藏，帶有金文的青銅器，價值要高出許多，因目前存世量少，其收藏價值極高。

鈞窯。是宋瓷五大名窯之一。均窯有唐均，宋均，金均，元均，明均之分。鈞瓷與其他瓷器一樣，由陶器演變而來，是對陶器的繼承和延續。根據考古發現和對現存古鈞瓷的研究，古代鈞瓷的器型大體可以分為兩類:一類為日用生活器皿類器型，另一類為陳設類器型。有的專家認為，以碗、盤、碟、爐、鼎等民間日常用器為主的俗稱民鈞。與此對應的，是以花盆、洗、尊、瓶等為主的造型，俗稱官鈞。官鈞瓷器，造型大雅，窯變美妙，被認為鈞瓷中的珍品。流傳於世的官鈞瓷器十分稀少，主要收藏在北京故宮博物院、臺北故宮博物院、美國弗利爾美術館、哈佛大學賽克勒美術館等處。世界範圍內公私收藏的官鈞瓷器僅有百餘件，彌足珍貴

藏品介紹

中文名稱：均窯梅瓶

英文名稱：Mei flask

類別：瓷器

規格：一件

品相：美品

梅瓶也稱"經瓶"，最早出現於唐代，宋遼時期較為流行，並且出現了許多新品種。近代許之衡在《飲流齋說瓷》一書中詳細地描述了梅瓶的形制、特徵及名稱由來："梅瓶口細而頸短，肩極寬博，至脛稍狹，抵於足微豐，口徑之小僅與梅之瘦骨相稱，故名梅瓶。"關於梅瓶的用途，磁州窯白地黑花梅瓶器腹有「清沽美酒」與「醉鄉酒海」的詩句。梅瓶既是酒器，又是一件令人愛不釋手的觀賞品。因此，這類器多製作精美，不但考慮到貯酒容量，還要注意造型優美。

鈞窯是我國宋代五大名窯之一，它不僅造型端莊沉穩，而且釉色古樸凝重，變幻莫測，尤以玫瑰紫、海棠紅、火焰青、雞血紅、鸚哥綠等多種窯變釉為其他窯口所不及。鈞釉有高溫一次燒成，也有二次燒成，第一次素燒，出窯後施釉彩，二次再燒。鈞瓷的釉色為一絕，千變萬化，紅、藍、青、白、紫交相融匯，燦若雲霞，這是因為在燒制過程中，配料摻入銅的氧化物造成的藝術效果，此為中國制瓷上的一大發明，稱為「窯變」。

這一件均窯梅瓶開片自然，無外卷，崩裂脫落現象，屬於長時間的陰乾現象，上圖可以看見明顯的窯變，鈞瓷的藝術魅力主要表現在單純簡潔中給人以美感，這個單純簡潔是表現在造型與釉色上追求與自然一樣的形態和釉色。胎、釉、形相輔相成，形成自己獨特的風格，在追求藝術神韻的同時，注重實用功能，古樸典雅，端莊自然，沒有絲毫造作之感，底足氧化出鐵鏽足，是鐵元素長期氧化所致，也是時間留下的烙印。

收藏均窯瓷器樂趣無窮，因為沒有一件均窯的窯變是一模一樣的，也就是說每件都是孤品，這在五大名窯中是其它窯口所不具備的，其收藏價值極大，其價值通俗的講，家財萬貫，不如鈞瓷一片，可見其價值之高， 可以說是一件寶瓷，待有緣人藏之。

玉堂清玩」相傳為明相嚴嵩之子嚴東樓的字號，嚴東樓自己不鑄爐，卻愛收集上好銅爐，並將「玉堂清玩」堂款制於其上。「玉堂清玩」款爐傳為嚴氏銅器。趙汝珍《古玩指南》中記，「嚴氏之爐皆系劫取宣爐之無款者，充為已有，非其所制」。趙汝珍所寫的《古玩指南》，被奉為民國古董文化經典，「玉堂清玩」也因此被認為是「宣德爐」的知名款識。故而印有此款的爐，在當時最是名貴，被認為是「不是宣德款的宣德爐」，歷代皆仿。

藏品介紹

中文名稱：玉堂清玩手捧香爐

英文名稱：The incense burner in hand

類別：雜項

規格：一件

品相：美品

這件銅香爐為灑金香爐，底足落款玉堂清玩四字，書寫精美，落款規整，由於器型較小，為古人好香者，單手或雙手都可以方便的攜帶，雙手捧爐靜聞其香，十分愜意，像這種迷你的小香爐被稱為手捧爐。

為什麼「宣德爐」刻了「玉堂清玩」的款識就那麼珍貴呢？銅爐品質好，自是了得。「玉堂」的來頭大，歷史也久遠，亦是緣由。

夏、商、周、春秋、戰國時，中國人對玉的崇拜，極為神聖，那時的玉，主要用來做禮器，祭祀天地神怪。後來人們在屋裡四壁掛上玉璧，初時是為了好看，只是裝飾作用罷了，掛的多了，自然也就稱之為「玉堂」了。戰國時宋玉的《風賦》中有「……然後徜徉中庭，北上玉堂，躋於羅幢，經於洞房，乃得為大王之風也」。此為「玉堂」一詞之首見。《韓非子·守道》：「人主甘服於玉堂之中。」可見，戰國時已有「玉堂」的稱呼了。

唐朝時，官方翰林院的辦公場所，不但牆上掛了玉，名字也叫做「玉堂殿」。到了宋代，翰林院亦稱為「玉堂」了。再到明代永樂宣德時期，從帝王到臣子文人等在作詩文時也常常使用，就連瓷器的落款，也有大量「玉堂佳器」的款識。可見，自古「玉堂」即為文房、廳閣、殿堂的稱謂，並不指具體指代何人的齋室處所。

現今，我們所能看到的「玉堂清玩」宣德爐，以及各種相關說法，大都源出於此。如果有可能的話，早晚時節，待對宣德皇帝之陵墓挖掘考古時，或可以得到證實。如此看來，「玉堂清玩」款識的宣德爐，並不是嚴氏剽竊所為，也不是宣德爐的樣爐，更別說是真正的宣德爐了。但，入明的「玉堂清玩」爐的確有上佳之器。

王世襄《自珍集》中所注「玉堂清玩」銅爐，有四具，其中有三具為柳葉體篆書，一具大鬲式爐的款識為方篆體。兩種書體，自然是柳葉篆體為好。一般來說「柳葉篆體』款識的爐品質較高，可為上藏。拙作《鐘鼎茗香》（二）中，有一棗皮紅色的衝耳爐，款識也是柳葉篆的「玉堂清玩」，無論工藝、銅質、年份，較王世襄先生的那些無皮爐，又要高貴了許多，且為宮中舊物，名家舊藏。若置於廳堂文房，很是貴族。

這件灑金玉堂清玩香爐，品相完美，妙在色，其色內融，從黯淡中發奇光。史料記載有四十多種色澤，為世人鍾愛，香爐之妙，在寶色內涵珠光，外現澹澹穆穆。」手感光滑，其包漿自然，令人愛不釋手，既有觀賞價值，實用價值，更具有不可估量的收藏價值，為香爐之翹楚，可謂是千金易得一寶難求的寶爐。

英文翻譯：One of the ancient Chinese COINS. Ming Emperor Zhu Yijun wanli four years (1576) began to cast. Imitation Jiajing money system, there are small, fold two. Wanli Bao light back more see, a few xiaoping money back "work", "day", "gong", "is", "river", "Li" and so on, among which "Li" means the value of a silver one. Wanli Tongbao back "river", "households" are rarely seen; Discount two money casting quantity is also many, the production is excellent, occasionally has the back star moon, the price is quite high. In addition, there is silver "Wanli Tong Bao" money.

The collection is introduced

Chinese name: Wanli Tongbao Blessing coin

English name: Wanli Tongbao Blessing Coin

Category: Miscellaneous

Specification: 1 piece

Appearance: Beautiful

On the back, the goldwater is very obvious, part of it falls off, the coin has obvious marks of use, and the goldwater is plated in the later period. This feature is a rare blessing coin, rare in the world, with extremely high collection value.

Blessing of pit

Beginning in the second half of 2012, some Song Gold COINS were gradually unearthed at a construction site on the east side of Youanmen Street in Beijing (the north side of youanmen Bridge on the south second Ring Road). Mainly large order, there are a handful of taihe, its are main the feature is perfect golden, very good quality, through mud from the golden fall off place, with a thin layer of gold are attached to the money body wrapped slurry, distinct and "golden" flipped can also into pieces, so speculation at the time, it is very likely a number of painted with gold COINS. As the nearby area was once the ruins of The Temple of Saint ANSI of the Jin Dynasty, some people speculated that these COINS may have been used by wealthy people at that time to pray for blessings. They assumed that the gold paste was painted on the COINS by the ancient people to worship Buddha and pray for blessings, thus the legend of blessing money came into being.

This "Wanli Tongbao coin" engraved on the front "Wanli Tongbao" four characters, the handwriting is clear, vigorous and powerful. Looking at the casting body, the casting is regular, the edge is round and straight, the flat and flat, the crossing edge is clean, and the excellent caster shows the deep and straight outline, and the fineness and addition. Appreciate its money text, you can see wanli Tong Bao's unique font end beauty bright eye, and the opposite, the surface has obvious gold layer, part to fall off, full of ancient charm, very appreciate!

The yuan Dynasty issued a coin with eight sibawen COINS. The yuan Dynasty mainly used paper money, supplemented by a certain amount of copper COINS, most of which were the inscriptions of Bhasiba. In the Period of Kublai Khan, the chief monk Bhasiba created The Mongolian script, which is called "Bhasiba script". In 1269, Kublai Khan decreed the new characters to be written all over the world. Ba-si-ba-wen is formed by adding and deforming the ancient Tibetan language. There are 41 letters, which belong to pinyin characters.

The collection is introduced

Chinese name: green lacquer ancient eight sibawen COINS

Green Painted antique spavin coin

Category: Miscellaneous

Specification: 1 piece

Appearance: Beautiful

Green lacquer: an ancient bronze vessel with a surface of the same color as green lacquer. They are mostly found in han and Tang dynasties and unearthed in the south of The Yangtze River. It is characterized by green and black color, and some objects have no rust around them. Sem surface analysis showed that there was no fundamental difference between the composition and black lacquer, only the material structure and morphology were different. It is formed by natural corrosion on the tin surface of bronze ware.

Positive thought the eight, the overall green paint the old wrapped slurry, gu yun, said to the coin of history, is recognized by the developed jade, in the absence of copper coin is worth to do deals with jade, and the ancients think day is round the ground is square, so make the outside circle within a circle of jade to day, the three coin within the cylindrical side, symbol of heaven and earth, both historical research value, can also be evil evil, to be safe.

It was cast in 1127 AD, the first year of Jianyan in Gaozong of the Southern Song Dynasty. "Jianyan Tongbao" have small, fold two, fold three copper, iron money, money grain seal character, regular script in pairs, the casting capacity is large, format is complex, there are big characters, small characters. "Jian Yan heavy treasure" is rare, to fold three seal characters, copper, iron money are. The casting amount of "Jianyan ingot treasure" is very small. The qianwen seal script and Official script are both precious ancient COINS.

The collection is introduced

Chinese name: Jianyan Tong Bao

English name: Build Phlogistic TongBao

Category: Miscellaneous

Specification: 1 piece

Appearance: Beautiful

Coin outside circle inside square symbolizes heaven and earth, the universe between the building yan Tong Bao four words read directly, the opposite light back, the handwriting is mellow and elegant, after a long time, the handwriting is still clear, perfect, with high collection value.

Back light back, there are local vermilion rust, and the front vermilion rust corresponding, a kind of money rust. The surface is purplish red, maroon oxide layer, because of color such as cinnabar (mercury), commonly known as "cinnabar rust". Have this rusted coin to open the door genuine article, has always been loved by the Tibetan friends.

End of the three coin patina nature, light is downy, so-called wrapped slurry is a natural formation of the oxide layer, also some people to hand wrapped slurry, the two different, but at the same time have to protect the function of money, like a plated COINS on a layer of protective film, make money no longer oxidation, facilitate collection handed down from ancient times, if feel money is dirty, can wash, reoccupy cloth wipe, do not destroy the wrapped slurry, destroyed the wrapped slurry is equivalent to destroy the protective layer, more important is the wrapped slurry is the most simple and effective method for identification of new and old COINS. Look closely at these three COINS perfect, there is no knock, damage, deformation and so on is not much collection grade COINS, because the amount of rare, very rare, with a very high collection value.

The ancients said: with bronze as a mirror, can be dress, to correct their words and deeds; Tang Dynasty poet Li He also used a poem "Shuangluan Opening mirror like autumn light, the solution of the mirror standing like a bed." To depict the moving scene of women's dressing and dressing on mirrors, bronze mirrors have integrated ornamental value and practical value. In the Tang Dynasty, bronze mirrors reached the third peak in their development history. They not only changed in styles, but also frequently innovated in techniques, making them popular among People in the Tang Dynasty. The grape pattern of sea beast is the result of craftsman's clever thinking in this period. The combination of the charm of tang Dynasty and the culture of western regions is mysterious and gorgeous. Today we will come to meet the colorful "mirror of many mysteries".

In ancient times in China, people found that still water could shine on people through rivers and ponds, so they gradually extended to the earliest time when they used water in pottery basin as a mirror to look at their faces and make up. After the invention of copper, with copper basin holding water, the shape of the shadow. "Shuo Wen · Jin Bu" interprets "jian" as "basin", so the basin (Jian) holding water is the earliest mirror. With the improvement of smelting technology, people found that smooth copper surface can shine, the Shang and Zhou dynasties began to trial production of copper tin and silver lead alloy technology to make copper mirror.

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Chinese name: Bronze mirror of The Han Dynasty

English name: Bronze Mirror of The Han Dynasty

Category: Miscellaneous

Specification: 1 side

Appearance: Beautiful

Han Dynasty Bronze mirror: this bronze mirror is red and green embroidered. It is an ancient bronze mirror. The surface of the bronze mirror is in gold style and separated by four milk nails.

Red spot green embroidery is the most direct way to distinguish imitation bronze mirror. The concave mirror shows red spots, prominent parts, extremely obvious verdigris, scattered natural, no artificial fake traces.

Copper rust is commonly known as verdigris, its main component is basic copper carbonate chemical formula Cu2(OH)2CO3.

It is the result of copper reacting with oxygen, carbon dioxide and water in the air, and is emerald green.

Cu 2 H2O O2 CO2 = Cu2 (OH) 2 co3

Placed in the home the bronze mirror instant ancient elegance and bronze mirror has the effect of town house to ward off bad luck, whether it is a collection or watch is not the first, imitation bronze mirror on the market at present is more, the surface of bronze mirror erythema patina, and wrapped slurry, may feel relieved collection, with a bronze bronze ware, the value is much higher, due to the extant quantity is little, the high value for collection.

The pa per. It is one of the five famous song porcelain kilns. All kilns have tang, Song, Jin, Yuan, Ming. Jun porcelain, like other porcelains, evolved from pottery and was the inheritance and continuation of pottery. According to archaeological findings and research on extant jun porcelains, the types of ancient Jun porcelains can be generally divided into two categories: one is household ware type, and the other is furnishings type. Some experts believe that the bowl, dish, dish, stove, tripod and other civilian daily utensils commonly known as minjun. Corresponding to this, it is based on flowerpot, wash, zun, bottle and other modeling, commonly known as guan Jun. Guan Jun porcelain, elegant shape, wonderful kiln, jun porcelain is regarded as the treasures. Official jun porcelain is very rare in the world. It is mainly collected in The National Palace Museum in Beijing, the National Palace Museum in Taipei, freer Art Museum in the United States, Sackler Art Museum in Harvard University and other places. There are only a few hundred pieces of official and jun porcelain in public and private collections around the world, which are very precious

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Chinese name: Jun Yao Mei Vase

English name: Mei Flask

Category: Porcelain

Specification: one piece

Appearance: Beautiful

Plum vase, also known as Jing Vase, first appeared in the Tang Dynasty, became popular in the Song and Liao dynasties, and many new varieties appeared. In modern times, Xu Zhicheng described in detail the shape, characteristics and the origin of the name of the plum bottle in the book "Porcelain for Drinking Flow Zhai" : "The mouth of the plum bottle is thin, the neck is short, the shoulder is very broad, the shank is narrow, and the foot is slightly rich. The diameter is small only in proportion to the thin bone of the plum, so the name plum bottle. As for the use of plum bottle, there are verses such as "Clear wine" and "sea of wine" in the belly of the white ground black plum bottle in Cizhou Kiln. Plum bottle is not only a wine utensil, but also an irresistible ornamental object. Accordingly, this kind of implement makes delicate more, not only take into account storage wine capacity, pay attention to modelling to be graceful even.

Jun kiln is one of the five famous kilns of Song Dynasty in China. It not only has a dignified and composed shape, but also has a dignified and unsophisticated glaze that is unpredictable. In particular, various kiln glazes, such as rose purple, crabapple red, flame green, chicken blood red and parrotgreen, can't be compared with other kilns. Jun glaze has a high temperature firing, but also a second firing, the first plain firing, out of the kiln after glaze color, second firing. Jun porcelain's glaze color is unique and ever-changing, with red, blue, green, white and purple blending into each other and glittering like clouds. This is because of the artistic effect caused by mixing copper oxide in the firing process, which is a great invention in Chinese porcelain making and is called "kiln transformation".

In the figure above, obvious kiln changes can be seen. Jun porcelain's artistic charm is mainly expressed in its simplicity, which gives people a sense of beauty. This simplicity is manifested in the pursuit of the form and glaze color similar to nature in its modeling and glaze color. Tire, glaze, form complement each other, form oneself unique style, in the pursuit of artistic verity at the same time, pay attention to practical function, simple and elegant, dignified and natural, without the slightest sense of artificial, bottom foot oxidation rust foot, is caused by long-term oxidation of iron elements, is also left the imprint of time.

Collections are kiln porcelain fun, because there is no a both kiln kiln is identical, that is to say everything is orphan works, which in the other five of ancient jun kiln mouth does not have the collection value, the value of this popular, wealthy, jun porcelain is better than a, shows its high value, can be said to be a treasure porcelain, to be predestined friends the human to hide it.

"Yutang Qingwan" is said to be the name of Yan Donglou, son of Yan Song, Ming Dynasty. Yan Donglou himself did not cast furnace, but love to collect a good copper furnace, and "Yutang Qingwan" hall money system on it. "Yutang clear play" style furnace for Yan copper ware. Zhao Ruzhen recorded in his Antique Guide that "Yan's furnaces are all those without money, which have been taken from xuan stoves, but not made by them". The Antique Guide written by Zhao Ruzhen is regarded as a classic of the antique culture of the Republic of China, and the "Clear Play of Yutang" is therefore regarded as a famous inscription of "Xuande Furnace". Therefore, the stove printed with this money, at that time is the most expensive, is considered to be "not xuande furnace", all generations of copy.

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Chinese name: Yutang incense burner in hand

English name: The incense burner in hand

Category: Porcelain

Specification: one piece

Appearance: Beautiful

This bronze incense burner is a golden incense burner with four characters on the bottom and a neat inscription. Because of its small shape, it is convenient for the ancient people to carry it with one hand or both hands. It is very comfortable to smell the incense quietly holding the incense burner with both hands.

Why "Xuande furnace" engraved "Yutang play" is so precious? The good quality of the copper furnace is remarkable. The origin of "Yutang" is big, the history is also long, is also the reason.

During xia, Shang, Zhou, Spring and Autumn and Warring States periods, the Worship of jade by Chinese people was extremely sacred. Jade at that time was mainly used as ritual vessels to offer sacrifices to gods and goddesses. Later, people hung jade round on the walls of the house. At the beginning, the jade round was hung to look pretty, but it was only for decoration. "Feng Fu" by Song Yu in the Warring States Period reads "... Then I wander about the central courtyard, stroll to the North jade Hall, jointed with lodges, pass through bridal chamber, which is the wind of the king. This is "jade hall" the first word see. "Han Feizi · Keep the way" : "the Lord surrendered to the jade hall." It can be seen that the Warring States period has been called "Yutang".

During the Tang Dynasty, the office of the official Hanlin Courtyard was not only hung with jade, but also named "Yutang Dian". To the Song Dynasty, the Academician courtyard also called "yutang". Then to the Yongle Xuande Period of The Ming Dynasty, from emperors to courtiers and literati, etc. were often used in poetry writing. Even the signing of porcelain, there are also a large number of "Jade Hall fine ware". Visible, since ancient times "jade hall" is the title of the study room, hall pavilion, hall, does not point to refer to the specific room of who.

Today, we can see the "Jade Hall play" Xuande furnace, as well as a variety of related statements, mostly from this source. If possible, the excavation of emperor Xuande's tomb in the morning and evening may be confirmed. In this way, "Yutang qingwan" Yan's Xuande furnace, is not plagiarism, is not xuande furnace sample furnace, let alone the real Xuande furnace. However, into the Ming "Jade hall clear play" furnace has the best tool.

In Wang Shixiang's Zizhuji, there are four copper vessels in the "Jade Hall Clear Game". Among them, three li vessels are equipped with willow leaf seal script and one big li furnace has a square seal structure. Two types of calligraphy, the nature is the willow leaf seal body is good. Generally speaking, "Willow seal body" the furnace quality of recognition is higher, can be on the Tibet. "Zhong Ding Ming Xiang" (2) in, there is a red zhuan ear furnace jujube, Is also liuye zhuan "Yutang qing play", no matter the craft, copper, year, compared with Those no leather furnace Mr. Wang Shixiang, but also a lot of noble, and for the palace old things, famous old collection. If be placed in hall hall study, it is noble very much.

This fragrant incense burner, decorated with gold and jade Hall, is perfect in appearance. Its color melts inside and gives out a strange light from the dark. Historical records have more than 40 colors, beloved for the world, the wonderful incense burner, in the treasure connotation of pearls, Dan Dan Mu Mu. Feel smooth, its pulp natural, people can not put down, both ornamental value, practical value, but also has inestimable collection value, for the censer of the best, it can be said that a treasure is easy to get a treasure difficult to find treasure furnace.